![]() ![]() Although it offers a fascinating (if labyrinthine) look at the intricacies of running covert operations, in the end, it focuses too much on serving up stylized fare when all we really long for is a good, old-fashioned spy movie. But couple that with the movie's nearly unrelenting violence (bombs exploding, machine guns firing, bodies bleeding) and you end up with a thriller that flirts dangerously with being overdone (this is not a film for anyone prone to migraines). The quick camera cuts and the rough, gritty terrain add to the pressure. The tension begins from the first moment and rarely lets up in Ridley Scott's BODY OF LIES.
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